Category Archives: Abstract

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Shannon Richardson : “Route 66 American Icon” Series

“Route 66 American Icon” is a collection of black and white photographs. Route 66 is the quintessential american road trip. Over a period of 6 years Shannon has photographed the historic highway stretching 2448 miles fron Chicago to Los Angeles. The black and white images capture the road’s iconic architecture, motels, diners and quirky attractions. Cinematic and nostalgic in style, each photograph conveys the essence of Route 66’s famed past and present.

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Shannon Richardson : “Route 66 American Icon” Series

“Route 66 American Icon” is a collection of black and white photographs. Route 66 is the quintessential american road trip. Over a period of 6 years Shannon has photographed the historic highway stretching 2448 miles fron Chicago to Los Angeles. The black and white images capture the road’s iconic architecture, motels, diners and quirky attractions. Cinematic and nostalgic in style, each photograph conveys the essence of Route 66’s famed past and present.

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Gregory Chatonsky : “Partie” Series (Photography)

Gregory Chatonsky was born in Paris in 1971. He studied art at college, philosophy at the Sorbonne and digital art in ENSBA Paris. He founded ‘incident’ in 1994, a collective of artists on the Internet. His work focuses on fiction, flows and destruction.

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Gregory Chatonsky : “Partie” Series (Photography)

Gregory Chatonsky was born in Paris in 1971. He studied art at college, philosophy at the Sorbonne and digital art in ENSBA Paris. He founded ‘incident’ in 1994, a collective of artists on the Internet. His work focuses on fiction, flows and destruction.

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Black Opal : Photography

a selection of abstract, black and white, street photography…

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Black Opal : Photography

a selection of abstract, black and white, street photography…

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yamasaki ko-ji : photography

a selection of abstract, black and white, street photography…

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yamasaki ko-ji : photography

a selection of abstract, black and white, street photography…

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Mårten Lange : “Anomalies” Series (Photography)

Shot in Sweden and Japan, the images in Anomalies are deliberately de-contextualized. Lange notes. “It’s not about a place. If you leave the place out of the story, the images can take on different weights. Places are really loud.” The objects that populate Anomalies, on the other hand, are suffused with a deep, seemingly impenetrable silence.

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Mårten Lange : “Anomalies” Series (Photography)

Shot in Sweden and Japan, the images in Anomalies are deliberately de-contextualized. Lange notes. “It’s not about a place. If you leave the place out of the story, the images can take on different weights. Places are really loud.” The objects that populate Anomalies, on the other hand, are suffused with a deep, seemingly impenetrable silence.

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Zhou Jun : The Red and the Black

The three decades of development China is experiencing – building to a crescendo with the Olympics – are unparalleled in history. The colour red, which I use to highlight specific parts of the photograph, can elicit different responses in people from different countries or cultures – at times, it can even have opposite meanings for people.

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Zhou Jun : The Red and the Black

The three decades of development China is experiencing – building to a crescendo with the Olympics – are unparalleled in history. The colour red, which I use to highlight specific parts of the photograph, can elicit different responses in people from different countries or cultures – at times, it can even have opposite meanings for people.

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Chien-Chi Chang : “Doubleness” Exhibition (Photographs)

Award-winning Magnum photographer, Chang Chien-Chi, showcased a series of his most extensive photography works in the exhibition entitled Doubleness: Photography by Chang Chien-Chi. The exhibition featured 130 photographs, 3 videos and 2 video projections.

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Chien-Chi Chang : “Doubleness” Exhibition (Photographs)

Award-winning Magnum photographer, Chang Chien-Chi, showcased a series of his most extensive photography works in the exhibition entitled Doubleness: Photography by Chang Chien-Chi. The exhibition featured 130 photographs, 3 videos and 2 video projections.

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Pierre Masseau : Photography

a selection of abstract, black and white photography…

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Pierre Masseau : Photography

a selection of abstract, black and white photography…

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Lukáš Peterec : Photography

I was born in Prague, Czech Republic. I started taking photos five years ago and most of all, i like minimalist landscape photography. For my work i use classic medium format camera and the roll film.

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Lukáš Peterec : Photography

I was born in Prague, Czech Republic. I started taking photos five years ago and most of all, i like minimalist landscape photography. For my work i use classic medium format camera and the roll film.

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Tim Lisko : ‘Shinkansen’ Series (Photography)

When I make a photograph, I am literally cropping out the rest of existence — its tension, its chaos, its hunger, its pain. For one small moment, I wall myself into a world of my own creation; a world where things may not make immediate narrative or logical sense, but where everything is in balance.

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Tim Lisko : ‘Shinkansen’ Series (Photography)

When I make a photograph, I am literally cropping out the rest of existence — its tension, its chaos, its hunger, its pain. For one small moment, I wall myself into a world of my own creation; a world where things may not make immediate narrative or logical sense, but where everything is in balance.

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Linus Lohoff : ‘Subjects’ (Photography Series)

“Things from the beach at the beach, where the light makes them look like sculptures or installations. This light gives them importance and beauty even if they’re just small buildings of human creation.”

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Linus Lohoff : ‘Subjects’ (Photography Series)

“Things from the beach at the beach, where the light makes them look like sculptures or installations. This light gives them importance and beauty even if they’re just small buildings of human creation.”

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Awoiska van der Molen : Photography Series

The cities visited by Awoiska van der Molen are not usually part of the regular city trip assortment. Not that it really matters: we would be spared the obligatory sights anyway, and if, like so many tourists, couleur locale is what you’re looking for, you may be better off looking elsewhere.

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Awoiska van der Molen : Photography Series

The cities visited by Awoiska van der Molen are not usually part of the regular city trip assortment. Not that it really matters: we would be spared the obligatory sights anyway, and if, like so many tourists, couleur locale is what you’re looking for, you may be better off looking elsewhere.

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Gabriel Benaim : “Wall Art” Series (Photography)

I photograph in order to learn something new about what’s in front of me. The process of photographing is, for me, one of discovering visual interest in the myriad forms presented to us, and of overcoming the habits that make our perceptions grow dull. Against Duchamp, I believe in retinal art, and attempt in my work to avoid preconceptions and formulas.

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Gabriel Benaim : “Wall Art” Series (Photography)

I photograph in order to learn something new about what’s in front of me. The process of photographing is, for me, one of discovering visual interest in the myriad forms presented to us, and of overcoming the habits that make our perceptions grow dull. Against Duchamp, I believe in retinal art, and attempt in my work to avoid preconceptions and formulas.

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Bohnchang Koo : ‘White’ Series (Photography)

Bohnchang’s work has always dealt with impermanence, with the decay and disappearance of living things. In his recent work, Koo continues this long journey to capture the fleeting and the mortal. In these spare natural landscapes—the sea, pine needles on snow, dust on a wall, withered vines —the artist renders scenes of exquisite beauty while evoking the inexorable passage of time.

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Bohnchang Koo : ‘White’ Series (Photography)

Bohnchang’s work has always dealt with impermanence, with the decay and disappearance of living things. In his recent work, Koo continues this long journey to capture the fleeting and the mortal. In these spare natural landscapes—the sea, pine needles on snow, dust on a wall, withered vines —the artist renders scenes of exquisite beauty while evoking the inexorable passage of time.

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Jungjin Lee : ‘Wind’ Series (Photography)

Lee’s work is unique in the world of photography. She does not mechanically reproduce multiples, but creates each work by hand. She brushes liquid emulsion onto large sheets of handmade rice and mulberry papers. Her brushstrokes sweep across the soft texture of the paper and capture the photographic image, revealing a painter’s sensibility in a gestural dance.

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Jungjin Lee : ‘Wind’ Series (Photography)

Lee’s work is unique in the world of photography. She does not mechanically reproduce multiples, but creates each work by hand. She brushes liquid emulsion onto large sheets of handmade rice and mulberry papers. Her brushstrokes sweep across the soft texture of the paper and capture the photographic image, revealing a painter’s sensibility in a gestural dance.

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Zander Blom : “The Black Hole Universe” (Photography)

‘The Black Hole Universe’ is a long-term photographic book and exhibition project. It involves building makeshift installations in different gallery and studio spaces in cities around the world, and employing them to generate photographic still images for an imaginary futuristic sci-fi noir space film.

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Zander Blom : “The Black Hole Universe” (Photography)

‘The Black Hole Universe’ is a long-term photographic book and exhibition project. It involves building makeshift installations in different gallery and studio spaces in cities around the world, and employing them to generate photographic still images for an imaginary futuristic sci-fi noir space film.

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Arthur Ou : ‘Test Screens’ Series (Photo-Media)

Arthur Ou is a Taiwanese artist currently living and working in New York. He is an Associate Professor of Photography at Parsons New School for Design in New York and is exhibiting in Sydney for the first time. He is showing a selection from his Test Screens series of innovative landscape photo-media works in which he intentionally interferes with the direct view by incorporating a layer of ‘drawing’ or ‘painting’ with light into the photographic space.

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Arthur Ou : ‘Test Screens’ Series (Photo-Media)

Arthur Ou is a Taiwanese artist currently living and working in New York. He is an Associate Professor of Photography at Parsons New School for Design in New York and is exhibiting in Sydney for the first time. He is showing a selection from his Test Screens series of innovative landscape photo-media works in which he intentionally interferes with the direct view by incorporating a layer of ‘drawing’ or ‘painting’ with light into the photographic space.

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Vivian Maier : “Shadows” (Photography Series)

Driven by her sequestered, private motivations, Vivian Maier captured our cities, suburbs and rural towns. A nanny for many years, herself childless, Maier revealed the beauties and complexities of domesticity. Her photographs demonstrate an intimate exploration of family life, as well as seemingly allegorical treatments of “home”

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Vivian Maier : “Shadows” (Photography Series)

Driven by her sequestered, private motivations, Vivian Maier captured our cities, suburbs and rural towns. A nanny for many years, herself childless, Maier revealed the beauties and complexities of domesticity. Her photographs demonstrate an intimate exploration of family life, as well as seemingly allegorical treatments of “home”

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Yojiro Imasaka : “New Works” (Photography)

In Imasaka’s photographic investigation of urban space in New York and Chicago, he has found a unique perspective on the tall buildings that create these cities skylines. Shooting straight up between adjacent tall buildings towards the sky, he creates a narrow vista, like a long tunnel, that ends in open sky; up and down are reversed and the viewer feels as if he were standing over a bottomless abyss.

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Yojiro Imasaka : “New Works” (Photography)

In Imasaka’s photographic investigation of urban space in New York and Chicago, he has found a unique perspective on the tall buildings that create these cities skylines. Shooting straight up between adjacent tall buildings towards the sky, he creates a narrow vista, like a long tunnel, that ends in open sky; up and down are reversed and the viewer feels as if he were standing over a bottomless abyss.

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Philip McKay : Digital Artworks

a selection of digital photographic artworks…

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Philip McKay : Digital Artworks

a selection of digital photographic artworks…

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Ali Chraibi : ‘Downtown Memories’ (Photography)

‘Downtown Memories’ series captures classically un-photogenic neighborhoods of Marrakesh through nicked and dirty car windows panes. Shooting encased in a moving vehicle, Chraibi managed to achieve well-composed, satisfyingly grainy images specked with points of light. He shows the true nature of the constructions of a city by taking us on a journey into a universal city. The shapes and shades of black & white structures seem familiar, but the vision is blurred and distant, through rain and fragmented light.

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Ali Chraibi : ‘Downtown Memories’ (Photography)

‘Downtown Memories’ series captures classically un-photogenic neighborhoods of Marrakesh through nicked and dirty car windows panes. Shooting encased in a moving vehicle, Chraibi managed to achieve well-composed, satisfyingly grainy images specked with points of light. He shows the true nature of the constructions of a city by taking us on a journey into a universal city. The shapes and shades of black & white structures seem familiar, but the vision is blurred and distant, through rain and fragmented light.

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René Groebli : ‘Rail Magic’ Series (Photography)

Groebli wanted to photograph, that which is not visible: movement, dynamics and speed. His series “Rail Magic”, is a trailblazing photo essay on the French steam railways, developed in 1949 it’s an interaction of smoke, smell, landscape and romance, a symbol of strength and work of timeless poetry.

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René Groebli : ‘Rail Magic’ Series (Photography)

Groebli wanted to photograph, that which is not visible: movement, dynamics and speed. His series “Rail Magic”, is a trailblazing photo essay on the French steam railways, developed in 1949 it’s an interaction of smoke, smell, landscape and romance, a symbol of strength and work of timeless poetry.

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Dirk Braeckman : Photography Series

There are few photographers more committed to the specifics of their own medium. Rather, his antipathy to easy snapshots, his concern with the mysteriousness of banal things and rooms, with letting a place reveal itself slowly through time

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Dirk Braeckman : Photography Series

There are few photographers more committed to the specifics of their own medium. Rather, his antipathy to easy snapshots, his concern with the mysteriousness of banal things and rooms, with letting a place reveal itself slowly through time

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Tom McLaughlan : Photography Series

“I’m looking for the unexpected. I’m looking for things I’ve never seen before” – (Robert Mapplethorpe)

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Tom McLaughlan : Photography Series

“I’m looking for the unexpected. I’m looking for things I’ve never seen before” – (Robert Mapplethorpe)

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Toru Aoki : Photography Series

a selection of abstract and minimal photographs

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Toru Aoki : Photography Series

a selection of abstract and minimal photographs

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Chris Fraser : ‘Drawl’ Series (Photography)

a selection of abstract, black and white photographs…

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Chris Fraser : ‘Drawl’ Series (Photography)

a selection of abstract, black and white photographs…

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Kikuji Kawada : ‘Chizu – The Map’ Series (Photography Book)

No photobook has been more successful in combining graphic design with complex photographic narrative… [as its] various layers inside [are] peeled away like archaeological strata, the whole process of viewing the book becomes one of uncovering and contemplating the ramifications of recent Japanese history

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Kikuji Kawada : ‘Chizu – The Map’ Series (Photography Book)

No photobook has been more successful in combining graphic design with complex photographic narrative… [as its] various layers inside [are] peeled away like archaeological strata, the whole process of viewing the book becomes one of uncovering and contemplating the ramifications of recent Japanese history

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Michael Najjar : ‘Netropolis’ (Hybrid Photography)

The series ‘Netropolis’ [2003 - 2006] is an exploration of the way global cities will develop in the future. In 1926 director Fritz Lang created the vision of a futuristic 21st Century megacity in his film ‘Metropolis’. Now that we’ve crossed the threshold of the 21st Century new sets of factors unthought of by Lang move to shape the future of our urban species.

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Michael Najjar : ‘Netropolis’ (Hybrid Photography)

The series ‘Netropolis’ [2003 - 2006] is an exploration of the way global cities will develop in the future. In 1926 director Fritz Lang created the vision of a futuristic 21st Century megacity in his film ‘Metropolis’. Now that we’ve crossed the threshold of the 21st Century new sets of factors unthought of by Lang move to shape the future of our urban species.

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Matthew Gamber : ‘Any Colour You Like’ (Photography)

The photographs in Any Color You Like are an experiment in how photography can confuse our perception of information. These images represent objects whose primary function is to simulate our observation of color.

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Matthew Gamber : ‘Any Colour You Like’ (Photography)

The photographs in Any Color You Like are an experiment in how photography can confuse our perception of information. These images represent objects whose primary function is to simulate our observation of color.

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Bruno Mercier : ‘Fences’ Series (Photography)

In all of my photographic work, there is a certain prevailing theme which has something to do with light, movement, and atmosphere. I do love playing with rhythms, light, and lines. I often place landscape in the foreground, inside light, and compose space from the running lines.

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Bruno Mercier : ‘Fences’ Series (Photography)

In all of my photographic work, there is a certain prevailing theme which has something to do with light, movement, and atmosphere. I do love playing with rhythms, light, and lines. I often place landscape in the foreground, inside light, and compose space from the running lines.

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Maria Stromvik : ‘Waterscapes’ Series (Photography)

Maria Stromvik is an amateur photographer who started photographing in the summer of 2009. She grew up by the seaside in southern Sweden, and the sea – as well as water in other forms – is a recurrent theme in many of her photographs. The choice of working in black and white was never really a choice.

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Maria Stromvik : ‘Waterscapes’ Series (Photography)

Maria Stromvik is an amateur photographer who started photographing in the summer of 2009. She grew up by the seaside in southern Sweden, and the sea – as well as water in other forms – is a recurrent theme in many of her photographs. The choice of working in black and white was never really a choice.

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C. N. Hedeen : ‘Flows’ Series (Photography)

C. N. Hedeen is a self-taught photographer, based in South-western Montana. Producing fine art black and white landscapes for the discriminating collector.

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C. N. Hedeen : ‘Flows’ Series (Photography)

C. N. Hedeen is a self-taught photographer, based in South-western Montana. Producing fine art black and white landscapes for the discriminating collector.

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Steffen Tuck : Photography Series

a selection of black & white, minimal and abstract photography…

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Steffen Tuck : Photography Series

a selection of black & white, minimal and abstract photography…

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Ambrosia3 : ‘Silhouettes’ Series (Photography)

:: :: ‘CXXXIX’ Silhouettes Series Photograph 2009 :: :: ‘CXXXVIII’ Silhouettes Series Photograph 2008 :: :: ‘XLIII’ Silhouettes Series Photograph 2007 :: :: ‘Le passage’ Silhouettes Series Photograph 2011 :: :: ‘Shadows of ourselves’ Silhouettes Series Photograph 2008 :: ::

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Ambrosia3 : ‘Silhouettes’ Series (Photography)

:: :: ‘CXXXIX’ Silhouettes Series Photograph 2009 :: :: ‘CXXXVIII’ Silhouettes Series Photograph 2008 :: :: ‘XLIII’ Silhouettes Series Photograph 2007 :: :: ‘Le passage’ Silhouettes Series Photograph 2011 :: :: ‘Shadows of ourselves’ Silhouettes Series Photograph 2008 :: ::

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Hiroshi Sugimoto : ‘Drive Ins’ (Photography)

The New York-based Japanese artist Hiroshi Sugimoto produces photographs in series. He meticulously selects and then researches subjects, returning to the same few time and time again, taking pictures and then producing technically immaculate black and white prints of absorbing clarity and density. Since the late 1970s, Sugimoto has worked on several series that have together encompassed seascapes, dioramas, movie theatres and drive-ins.

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Hiroshi Sugimoto : ‘Drive Ins’ (Photography)

The New York-based Japanese artist Hiroshi Sugimoto produces photographs in series. He meticulously selects and then researches subjects, returning to the same few time and time again, taking pictures and then producing technically immaculate black and white prints of absorbing clarity and density. Since the late 1970s, Sugimoto has worked on several series that have together encompassed seascapes, dioramas, movie theatres and drive-ins.

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Eric de Maré : Photography Series

De Maré found beauty where it was least expected, in canal locks, viaducts, worn steps and boat sheds. These were utility structures with efficient design that appealed to many modern architects. His monochrome prints reveal textures that makes you want to reach out and grab the subjects of his images.

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Eric de Maré : Photography Series

De Maré found beauty where it was least expected, in canal locks, viaducts, worn steps and boat sheds. These were utility structures with efficient design that appealed to many modern architects. His monochrome prints reveal textures that makes you want to reach out and grab the subjects of his images.

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Stephen Inggs : Photography Series

These works consists of powerful yet delicate large scale photographs, each one hand-coated with silver gelatin emulsion onto 100% cotton mould-made paper, using traditional techniques. The handmade, tactile and physical aspects of this process are used to underline the references to history, transience and the overlooked object. Each piece is therefore a unique and original work of art.

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Stephen Inggs : Photography Series

These works consists of powerful yet delicate large scale photographs, each one hand-coated with silver gelatin emulsion onto 100% cotton mould-made paper, using traditional techniques. The handmade, tactile and physical aspects of this process are used to underline the references to history, transience and the overlooked object. Each piece is therefore a unique and original work of art.

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Andreas Gefeller : The Japan Series (Photography)

Sensitizing and expanding our perception of what is allegedly a familiar reality is the attitude Düsseldorf-based photographer Andreas Gefeller adopts in his work. His most recent photographs are clearly more formal and structural, and they exhibit striking pictorial qualities.

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Andreas Gefeller : The Japan Series (Photography)

Sensitizing and expanding our perception of what is allegedly a familiar reality is the attitude Düsseldorf-based photographer Andreas Gefeller adopts in his work. His most recent photographs are clearly more formal and structural, and they exhibit striking pictorial qualities.

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Brancolina : Photography Series

a selection of abstract and architectural photographs…

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Brancolina : Photography Series

a selection of abstract and architectural photographs…

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Mark Valentine : Photography Series

a selection of abstract and minimal photographs

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Mark Valentine : Photography Series

a selection of abstract and minimal photographs

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Becky Beasley : ‘Surface Coverings’ (The Feral Works)

The aim, if there is one at all, perhaps better put as a purposeful aimlessness, takes the form of an ongoing and experimental archive of encounters in the guise of photographs of objects, organised out of personal experiences and the pathos and delight of a life.

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Becky Beasley : ‘Surface Coverings’ (The Feral Works)

The aim, if there is one at all, perhaps better put as a purposeful aimlessness, takes the form of an ongoing and experimental archive of encounters in the guise of photographs of objects, organised out of personal experiences and the pathos and delight of a life.

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Taku Aramasa : Photography (Pinhole Camera)

Presented in Sakura are black and white pinhole photographs of the glorious displays of blooming cherry trees at the time of Sakura Matsuri, the annual cherry blossom festival in Japan. Aramasa employs the pinhole process for this series, a primitive photographic technique that functions like a miniature camera obscura, where light passes through tiny opening in a lensless camera and registers the image directly on film.

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Taku Aramasa : Photography (Pinhole Camera)

Presented in Sakura are black and white pinhole photographs of the glorious displays of blooming cherry trees at the time of Sakura Matsuri, the annual cherry blossom festival in Japan. Aramasa employs the pinhole process for this series, a primitive photographic technique that functions like a miniature camera obscura, where light passes through tiny opening in a lensless camera and registers the image directly on film.

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Hans-Christian Schink : ’1h’ Series (Photography)

Photography is centered on light and time. Typically, they’re not independent – the amount of light available tends to determine the amount of time needed for a photograph. Exposure usually needs to be done properly, because not doing so results in all kinds of unwanted effects, such as under or overexposed images. Of course, this needn’t necessarily be bad.

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Hans-Christian Schink : ’1h’ Series (Photography)

Photography is centered on light and time. Typically, they’re not independent – the amount of light available tends to determine the amount of time needed for a photograph. Exposure usually needs to be done properly, because not doing so results in all kinds of unwanted effects, such as under or overexposed images. Of course, this needn’t necessarily be bad.

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Christiane Feser : “Folds” Series (Photo Collage)

Folded landscapes, digitally arranged from an archive with photographs of thousands of folded ‘A4′ sheets.

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Christiane Feser : “Folds” Series (Photo Collage)

Folded landscapes, digitally arranged from an archive with photographs of thousands of folded ‘A4′ sheets.

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Valéry Lippens : ‘Haecceity’ Series (Photography)

Valery Lippens strives to create in his series ‘Haecceity’ a more accurate portrayal of our perceptions. Lippens captures commuters in their turbulent spontaneity rushing from one train to the next and creates one large image comprised of approximately 350 miniature photos.

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Valéry Lippens : ‘Haecceity’ Series (Photography)

Valery Lippens strives to create in his series ‘Haecceity’ a more accurate portrayal of our perceptions. Lippens captures commuters in their turbulent spontaneity rushing from one train to the next and creates one large image comprised of approximately 350 miniature photos.

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Julian Gomez : Photography Series

a selection of monochrome, abstract and architectural photographs…

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Julian Gomez : Photography Series

a selection of monochrome, abstract and architectural photographs…

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Sylvie Bonnot : ‘Eire’ Series (Photography)

On looking closely at the genesis of Sylvie Bonnot’s work, we begin to realize that the photography is at first, if not a pretext, at least an auxiliary to a walk through a landscape, to pace up and down a territory, to submerge there physically, to merge into it, to embody it.

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Sylvie Bonnot : ‘Eire’ Series (Photography)

On looking closely at the genesis of Sylvie Bonnot’s work, we begin to realize that the photography is at first, if not a pretext, at least an auxiliary to a walk through a landscape, to pace up and down a territory, to submerge there physically, to merge into it, to embody it.

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Grant Mudford : Photography Series

One of the most dynamic parts of the image to me, whether paintings or photographs, is the frame. Photographs, like paintings, have a frame. They have an extremity and they have a boundary.

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Grant Mudford : Photography Series

One of the most dynamic parts of the image to me, whether paintings or photographs, is the frame. Photographs, like paintings, have a frame. They have an extremity and they have a boundary.