Posts Tagged: blurred

Ali Chraibi : ‘Downtown Memories’ (Photography)

‘Downtown Memories’ series captures classically un-photogenic neighborhoods of Marrakesh through nicked and dirty car windows panes. Shooting encased in a moving vehicle, Chraibi managed to achieve well-composed, satisfyingly grainy images specked with points of light. He shows the true nature of the constructions of a city by taking us on a journey into a universal city. The shapes and shades of black & white structures seem familiar, but the vision is blurred and distant, through rain and fragmented light.

Ali Chraibi : ‘Downtown Memories’ (Photography)

‘Downtown Memories’ series captures classically un-photogenic neighborhoods of Marrakesh through nicked and dirty car windows panes. Shooting encased in a moving vehicle, Chraibi managed to achieve well-composed, satisfyingly grainy images specked with points of light. He shows the true nature of the constructions of a city by taking us on a journey into a universal city. The shapes and shades of black & white structures seem familiar, but the vision is blurred and distant, through rain and fragmented light.

Chris Fraser : ‘Drawl’ Series (Photography)

a selection of abstract, black and white photographs…

Chris Fraser : ‘Drawl’ Series (Photography)

a selection of abstract, black and white photographs…

Pierre Siedel : ‘Underground Reflexion’ (Color C-Prints)

This sequence of photographic works started as a coincidence. On my way back from a photo shoot in a park I suddenly asked her to pose in the middle of the subway’s swarming crowd. After the shot, I realized that I used the same approach a few years ago at the Essaouira Port in Morocco, where a seagull quietly drifted in the sky amid the hasty flight of others birds.

Pierre Siedel : ‘Underground Reflexion’ (Color C-Prints)

This sequence of photographic works started as a coincidence. On my way back from a photo shoot in a park I suddenly asked her to pose in the middle of the subway’s swarming crowd. After the shot, I realized that I used the same approach a few years ago at the Essaouira Port in Morocco, where a seagull quietly drifted in the sky amid the hasty flight of others birds.

Idris Khan : “Bernd and Hilla Becher” Works (Photography)

Since 1959 Bernd and Hilla Becher have been photographing industrial structures that exemplify modernist engineering, such as gas reservoirs and water towers. These works are often presented in groups of similar design; their repeated images make these everyday buildings seem strangely imposing and alien. Idris Khan’s Every… Bernd And Hilla Becher… series appropriates the Bechers’ imagery and compiles their collections into single super-images.

Idris Khan : “Bernd and Hilla Becher” Works (Photography)

Since 1959 Bernd and Hilla Becher have been photographing industrial structures that exemplify modernist engineering, such as gas reservoirs and water towers. These works are often presented in groups of similar design; their repeated images make these everyday buildings seem strangely imposing and alien. Idris Khan’s Every… Bernd And Hilla Becher… series appropriates the Bechers’ imagery and compiles their collections into single super-images.

Takuma Nakahira: For a Language to Come (Photography Series)

Takahira wrote that “Extremely grainy images and intentionally unfocussed photographs in particular, have already become mere decoration.” I can think of many examples where that might be true, but Nakahira’s case, it most definitely is not.

Takuma Nakahira: For a Language to Come (Photography Series)

Takahira wrote that “Extremely grainy images and intentionally unfocussed photographs in particular, have already become mere decoration.” I can think of many examples where that might be true, but Nakahira’s case, it most definitely is not.

Takuma Nakahira: For a Language to Come (Photography Series 2)

“For a Language to Come” is recorded in the history of photography as the first photobook by Takuma Nakahira, the photographer who brought about a turning point in contemporary Japanese photography from the late 1960s to the early 1970s

Takuma Nakahira: For a Language to Come (Photography Series 2)

“For a Language to Come” is recorded in the history of photography as the first photobook by Takuma Nakahira, the photographer who brought about a turning point in contemporary Japanese photography from the late 1960s to the early 1970s

Masako Miyazaki The Other Side Series (Photography)

Masako Miyazaki’s book The Other Side, was published in late 2011 by Tosei-sha. On viewing it feels like you’re being taken by the hand on a journey into different places. That is not just physical locations, but places in the mind.

Masako Miyazaki The Other Side Series (Photography)

Masako Miyazaki’s book The Other Side, was published in late 2011 by Tosei-sha. On viewing it feels like you’re being taken by the hand on a journey into different places. That is not just physical locations, but places in the mind.

Reiko Imoto : ‘Dreams of The Amnesiac’ Series (Photography)

This body of work is about my feeling of forgetting. Sometimes I cannot remember my dream after waking up, even though I know I had a dream and I try to recall it very much. What I remember is only a feeling or mood from the dream without visual evidence.

Reiko Imoto : ‘Dreams of The Amnesiac’ Series (Photography)

This body of work is about my feeling of forgetting. Sometimes I cannot remember my dream after waking up, even though I know I had a dream and I try to recall it very much. What I remember is only a feeling or mood from the dream without visual evidence.