Posts Tagged: landscapes

Lukáš Peterec : Photography

I was born in Prague, Czech Republic. I started taking photos five years ago and most of all, i like minimalist landscape photography. For my work i use classic medium format camera and the roll film.

Lukáš Peterec : Photography

I was born in Prague, Czech Republic. I started taking photos five years ago and most of all, i like minimalist landscape photography. For my work i use classic medium format camera and the roll film.

Astrid Kruse Jensen : Photography

Astrid Kruse Jensen’s photographs are conceived through the encounter between dark and light – in the twilight zone between the illuminated and the hidden, between the real and the imaginary. They are taken at dusk and at night because she mostly uses the ambient light sources on locations.

Astrid Kruse Jensen : Photography

Astrid Kruse Jensen’s photographs are conceived through the encounter between dark and light – in the twilight zone between the illuminated and the hidden, between the real and the imaginary. They are taken at dusk and at night because she mostly uses the ambient light sources on locations.

Jungjin Lee : ‘Wind’ Series (Photography)

Lee’s work is unique in the world of photography. She does not mechanically reproduce multiples, but creates each work by hand. She brushes liquid emulsion onto large sheets of handmade rice and mulberry papers. Her brushstrokes sweep across the soft texture of the paper and capture the photographic image, revealing a painter’s sensibility in a gestural dance.

Jungjin Lee : ‘Wind’ Series (Photography)

Lee’s work is unique in the world of photography. She does not mechanically reproduce multiples, but creates each work by hand. She brushes liquid emulsion onto large sheets of handmade rice and mulberry papers. Her brushstrokes sweep across the soft texture of the paper and capture the photographic image, revealing a painter’s sensibility in a gestural dance.

Bruno Mercier : ‘Fences’ Series (Photography)

In all of my photographic work, there is a certain prevailing theme which has something to do with light, movement, and atmosphere. I do love playing with rhythms, light, and lines. I often place landscape in the foreground, inside light, and compose space from the running lines.

Bruno Mercier : ‘Fences’ Series (Photography)

In all of my photographic work, there is a certain prevailing theme which has something to do with light, movement, and atmosphere. I do love playing with rhythms, light, and lines. I often place landscape in the foreground, inside light, and compose space from the running lines.

C. N. Hedeen : ‘Flows’ Series (Photography)

C. N. Hedeen is a self-taught photographer, based in South-western Montana. Producing fine art black and white landscapes for the discriminating collector.

C. N. Hedeen : ‘Flows’ Series (Photography)

C. N. Hedeen is a self-taught photographer, based in South-western Montana. Producing fine art black and white landscapes for the discriminating collector.

Christiane Feser : “Folds” Series (Photo Collage)

Folded landscapes, digitally arranged from an archive with photographs of thousands of folded ‘A4’ sheets.

Christiane Feser : “Folds” Series (Photo Collage)

Folded landscapes, digitally arranged from an archive with photographs of thousands of folded ‘A4’ sheets.

Mitch Dobrowner : Photography

Landscapes are living eco systems and environments. They have existed well before, and will hopefully be here way beyond the time we are here. When taking photographs, time and space seem hard for me to measure. Whenever I shoot a ‘quality’ image, I know it. At those moments things are quiet, seem simple again – and I obtain a respect and reverence for the world that is hard to communicate through words.

Mitch Dobrowner : Photography

Landscapes are living eco systems and environments. They have existed well before, and will hopefully be here way beyond the time we are here. When taking photographs, time and space seem hard for me to measure. Whenever I shoot a ‘quality’ image, I know it. At those moments things are quiet, seem simple again – and I obtain a respect and reverence for the world that is hard to communicate through words.

Janek Sedlar : Photography Series

a selection of black and white landscapes…

Janek Sedlar : Photography Series

a selection of black and white landscapes…

Ilya Askinazi : ‘A Pointed View’ (Photography Series)

The subjects include the figure, landscapes and the urban environment. Askinazi possesses an innate ability to hone in on the most unique aspects of his chosen subjects — seeing beautiful abstract moments in nature and depicting the seductive qualities of light.

Ilya Askinazi : ‘A Pointed View’ (Photography Series)

The subjects include the figure, landscapes and the urban environment. Askinazi possesses an innate ability to hone in on the most unique aspects of his chosen subjects — seeing beautiful abstract moments in nature and depicting the seductive qualities of light.

Ben Ali Ong : Photography Series

Throughout my work I have been primarily interested in the suggestive possibilities between the images, and the open narrative I can create by juxtaposing the interior and exterior world beside each other. Portraits next to landscape, for example

Ben Ali Ong : Photography Series

Throughout my work I have been primarily interested in the suggestive possibilities between the images, and the open narrative I can create by juxtaposing the interior and exterior world beside each other. Portraits next to landscape, for example

Luis Mallo : ‘In Camera’ Series (Photography)

Luis Mallo’s large-scale urban landscapes (most made in his Brooklyn neighborhood) are cleverly realized perceptual puzzles. In each photo, chicken wire, slats, net or fencing of some sort occupies the picture’s foreground, interrupting but not entirely obscuring our view of the factory, parking lot or construction site beyond.

Luis Mallo : ‘In Camera’ Series (Photography)

Luis Mallo’s large-scale urban landscapes (most made in his Brooklyn neighborhood) are cleverly realized perceptual puzzles. In each photo, chicken wire, slats, net or fencing of some sort occupies the picture’s foreground, interrupting but not entirely obscuring our view of the factory, parking lot or construction site beyond.

Zoltan Bekefy : ‘Winter Minimalism’ Series (Photography)

I started digital photography in 2007, which eventually changed my perception about the world. I have been tirelessly exploring the scenes of nature near and far, and trying to capture those magical moments and transform them into eternal art.

Zoltan Bekefy : ‘Winter Minimalism’ Series (Photography)

I started digital photography in 2007, which eventually changed my perception about the world. I have been tirelessly exploring the scenes of nature near and far, and trying to capture those magical moments and transform them into eternal art.

Andrey Belkov : ‘Russian Winter’ (Photography)

My friendship with photography started when I was only 5 years old. My father gave me a toy film camera and I made my first photo. I didn’t know how to look at it. Father took my camera, opened it, took out a cassette and went away in to the darkness. He was a great magician. He could take a film and make a picture. I grew up, the magic became a reality

Andrey Belkov : ‘Russian Winter’ (Photography)

My friendship with photography started when I was only 5 years old. My father gave me a toy film camera and I made my first photo. I didn’t know how to look at it. Father took my camera, opened it, took out a cassette and went away in to the darkness. He was a great magician. He could take a film and make a picture. I grew up, the magic became a reality

Mario Giacomelli : “Sea and Landscapes” Series

“The image is spirit, matter, time, space, time for eyes. Traces are tests of ourselves and the sign of a culture that lives constantly rhythms that govern memory, history, standards of knowledge.” – M.Giacomelli

Mario Giacomelli : “Sea and Landscapes” Series

“The image is spirit, matter, time, space, time for eyes. Traces are tests of ourselves and the sign of a culture that lives constantly rhythms that govern memory, history, standards of knowledge.” – M.Giacomelli

Mario Giacomelli : Photography Series

“To be sure the landscape can’t run away, and yet I always fear that it may. [Sometimes] I must set up my tripod, so I worry that the landscape may disappear the next second and I don’t stop keeping an eye on it while I get prepared. Then, when pressing the shutter, I hold my breath. These moments are the greatest joys in my life, as if I were undressing the most beautiful woman in the world—that is, if she will allow herself be undressed. If the photo is a success, it means that she was willing. If not, it has been a lovely dream.” – Mario Giacomelli

Mario Giacomelli : Photography Series

“To be sure the landscape can’t run away, and yet I always fear that it may. [Sometimes] I must set up my tripod, so I worry that the landscape may disappear the next second and I don’t stop keeping an eye on it while I get prepared. Then, when pressing the shutter, I hold my breath. These moments are the greatest joys in my life, as if I were undressing the most beautiful woman in the world—that is, if she will allow herself be undressed. If the photo is a success, it means that she was willing. If not, it has been a lovely dream.” – Mario Giacomelli

Matthieu Gafsou : Photography Series

Photography always implies a relationship between a body – the man with a camera – and the world. Even today, photographic gear remains heavy and cumbersome, an impediment. Landscapes, too, are related to the body: we are wandering somewhere about the world when suddenly, without any perceivable signal, reality emerges with force and becomes an image.

Matthieu Gafsou : Photography Series

Photography always implies a relationship between a body – the man with a camera – and the world. Even today, photographic gear remains heavy and cumbersome, an impediment. Landscapes, too, are related to the body: we are wandering somewhere about the world when suddenly, without any perceivable signal, reality emerges with force and becomes an image.

Maite Guerrero ‘Minuscule’ Photography Series

Guerrero’s Minuscule collection of photo manipulations is truly magnificent. So much attention has been paid to detail, composition, and scale in this series, that it’s easy to believe the images are real.

Maite Guerrero ‘Minuscule’ Photography Series

Guerrero’s Minuscule collection of photo manipulations is truly magnificent. So much attention has been paid to detail, composition, and scale in this series, that it’s easy to believe the images are real.

Richard Stultz : ‘Almost Monochrome’ Series (Photography)

What a fascinating place the urban landscape is, with its intersection of architectural shapes, light, and color. Using these elements, I strive to create a structure within an image that’s especially satisfying. Sometimes the scene is mostly geometrical, consisting of trapezoids, rectangles, triangles, and circles.

Richard Stultz : ‘Almost Monochrome’ Series (Photography)

What a fascinating place the urban landscape is, with its intersection of architectural shapes, light, and color. Using these elements, I strive to create a structure within an image that’s especially satisfying. Sometimes the scene is mostly geometrical, consisting of trapezoids, rectangles, triangles, and circles.

Pierre Pellegrini : ‘Waterscapes’ Series (Long Exposures)

“For me, photography represents a wonderful means to communicate and, at the same time, to give the viewers the chance to feel emotions. I am not quite sure if it’s me who is looking for the themes or if it’s the themes themselves who are looking for me.

Pierre Pellegrini : ‘Waterscapes’ Series (Long Exposures)

“For me, photography represents a wonderful means to communicate and, at the same time, to give the viewers the chance to feel emotions. I am not quite sure if it’s me who is looking for the themes or if it’s the themes themselves who are looking for me.

Takuma Nakahira: For a Language to Come (Photography Series)

Takahira wrote that “Extremely grainy images and intentionally unfocussed photographs in particular, have already become mere decoration.” I can think of many examples where that might be true, but Nakahira’s case, it most definitely is not.

Takuma Nakahira: For a Language to Come (Photography Series)

Takahira wrote that “Extremely grainy images and intentionally unfocussed photographs in particular, have already become mere decoration.” I can think of many examples where that might be true, but Nakahira’s case, it most definitely is not.

Takuma Nakahira: For a Language to Come (Photography Series 2)

“For a Language to Come” is recorded in the history of photography as the first photobook by Takuma Nakahira, the photographer who brought about a turning point in contemporary Japanese photography from the late 1960s to the early 1970s

Takuma Nakahira: For a Language to Come (Photography Series 2)

“For a Language to Come” is recorded in the history of photography as the first photobook by Takuma Nakahira, the photographer who brought about a turning point in contemporary Japanese photography from the late 1960s to the early 1970s

Erwin Staeheli : “Gravel & Coal” Series (Photography)

Erwin Staeheli studied art in Basel, Switzerland. After a period of painting he changed to photography. He has also worked as a civil engineer, planning and supervising roadwork, concrete constructions and water supply systems.

Erwin Staeheli : “Gravel & Coal” Series (Photography)

Erwin Staeheli studied art in Basel, Switzerland. After a period of painting he changed to photography. He has also worked as a civil engineer, planning and supervising roadwork, concrete constructions and water supply systems.