Posts Tagged: silhouettes

Ambrosia3 : ‘Silhouettes’ Series (Photography)

:: :: ‘CXXXIX’ Silhouettes Series Photograph 2009 :: :: ‘CXXXVIII’ Silhouettes Series Photograph 2008 :: :: ‘XLIII’ Silhouettes Series Photograph 2007 :: :: ‘Le passage’ Silhouettes Series Photograph 2011 :: :: ‘Shadows of ourselves’ Silhouettes Series Photograph 2008 :: ::

Ambrosia3 : ‘Silhouettes’ Series (Photography)

:: :: ‘CXXXIX’ Silhouettes Series Photograph 2009 :: :: ‘CXXXVIII’ Silhouettes Series Photograph 2008 :: :: ‘XLIII’ Silhouettes Series Photograph 2007 :: :: ‘Le passage’ Silhouettes Series Photograph 2011 :: :: ‘Shadows of ourselves’ Silhouettes Series Photograph 2008 :: ::

Boris Savelev : Photography Series

It’s often said that the camera never lies, it does not always tell us the most meaningful of truths and the task of the fine art photographer is to endow the raw image with further layers of meaning.

Boris Savelev : Photography Series

It’s often said that the camera never lies, it does not always tell us the most meaningful of truths and the task of the fine art photographer is to endow the raw image with further layers of meaning.

Ben Ali Ong : Photography Series

Throughout my work I have been primarily interested in the suggestive possibilities between the images, and the open narrative I can create by juxtaposing the interior and exterior world beside each other. Portraits next to landscape, for example

Ben Ali Ong : Photography Series

Throughout my work I have been primarily interested in the suggestive possibilities between the images, and the open narrative I can create by juxtaposing the interior and exterior world beside each other. Portraits next to landscape, for example

Gary Annett : Black & White Photography

Melbourne based photographer Gary Annett specialises in architecture, interiors, food and landscape photography.

Gary Annett : Black & White Photography

Melbourne based photographer Gary Annett specialises in architecture, interiors, food and landscape photography.

William Eckersley ‘Dark City’ Night Photography

Initially inspired by the stillness of London at night, photographer William Eckersley began experimenting in late 2007 and after four years of stunning large format photography, he’s published a book of these works called ‘Dark City’ which promise a compelling view of unseen London.

William Eckersley ‘Dark City’ Night Photography

Initially inspired by the stillness of London at night, photographer William Eckersley began experimenting in late 2007 and after four years of stunning large format photography, he’s published a book of these works called ‘Dark City’ which promise a compelling view of unseen London.

Hiroshi Watanabe : Photography Series

I go to places that captivate and intrigue me. I am interested in what humans do. I seek to capture people, traditions, and locales that first and foremost are of personal interest. I immerse myself with information on the places prior to leaving, but I try to avoid firm, preconceived ideas.

Hiroshi Watanabe : Photography Series

I go to places that captivate and intrigue me. I am interested in what humans do. I seek to capture people, traditions, and locales that first and foremost are of personal interest. I immerse myself with information on the places prior to leaving, but I try to avoid firm, preconceived ideas.

Marc Riboud : Photography Series

French photographer Marc Riboud isn’t easily categorized, because he’s never specialized in any particular area of photography. There are some recurring themes and stylistic idiosyncrasies in his work, but the pictures fall easily into half a dozen different modes of photography. He describes himself as a “shy” photographer, saying “I was torn between the fear of getting too close to people and another force that egged me on to get a closer look.”

Marc Riboud : Photography Series

French photographer Marc Riboud isn’t easily categorized, because he’s never specialized in any particular area of photography. There are some recurring themes and stylistic idiosyncrasies in his work, but the pictures fall easily into half a dozen different modes of photography. He describes himself as a “shy” photographer, saying “I was torn between the fear of getting too close to people and another force that egged me on to get a closer look.”

Jon DeBoer : Street Photography

I do not seek to shoot photos that just depict the world around me as it appears to the eye. For these reasons, I primarily work in black and white and often use longer exposure times.

Jon DeBoer : Street Photography

I do not seek to shoot photos that just depict the world around me as it appears to the eye. For these reasons, I primarily work in black and white and often use longer exposure times.

Azurebumble : ‘Abstractions’ Series (Photography)

Architectural Abstractions : Dalhousie Building : Dundee University

Azurebumble : ‘Abstractions’ Series (Photography)

Architectural Abstractions : Dalhousie Building : Dundee University

Dani Subagja : ‘Hong Kong’ Series (Street Photography)

“In my opinion, black & white photos are somehow more able to tell the depth of a story; something beyond the colour (black & white) itself, since it might be easier to get disrupted by the colours of a photo. I agree both colour and black & white work better for certain subjects.

Dani Subagja : ‘Hong Kong’ Series (Street Photography)

“In my opinion, black & white photos are somehow more able to tell the depth of a story; something beyond the colour (black & white) itself, since it might be easier to get disrupted by the colours of a photo. I agree both colour and black & white work better for certain subjects.

Masahisa Fukase: The Solitude of Ravens (Photography Series)

Masahisa Fukase is considered to be both a legend and an enigma in his native Japan. For a culture that is traditionally reluctant to expose emotion in public, the expressionistic character of his work was, in part, the result of the development of the generation that evolved after WWII.

Masahisa Fukase: The Solitude of Ravens (Photography Series)

Masahisa Fukase is considered to be both a legend and an enigma in his native Japan. For a culture that is traditionally reluctant to expose emotion in public, the expressionistic character of his work was, in part, the result of the development of the generation that evolved after WWII.